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The Netherlands Embassy - DMZ Docs Documentary Co-production Funds Project



How to Lie, Femme, and Pass

Cyan BAE

  • Korea, Netherlands
  • 25min
  • DCP
  • color

Synopsis

As queers and femmes, we raised ourselves to become great at lying. We became an actress, an office worker, a psychology student, a comedy writer, a polygraph examiner, and a filmmaker. We come together for guerrilla action as the AI lie detector looms over our lives, with the EU investing in a lie-detecting avatar to automate border interviews.

It all begins with Cyan¡¯s trip to Seoul to know thy enemy. Becoming a polygraph examiner, they also learned that the lie detector is loaded with gendered and queerphobic histories and practices. After eight months of fieldwork in the masculine and militarised culture of polygraph training, the early-career researcher starts therapy.

Two years later, Cyan gathers everyone, as they recover from depression and a haunted hard drive. What can we do here and now? We are making a quirky ¡°(un)safety video¡±—somewhere between Hito Steyerl and Korean Air¡¯s music video—to lie, femme, and pass. After a crash course from drag artists, we mingle to film a rough, technical, and wonderfully weird audiovisual manual, inviting the viewer to become an accomplice in lying to the lie detector. 

Director's Statement

In 2022, I became a PhD candidate with an obsession with lie detectors. Focusing on the socio-political implications of Emotional AI, I have been exploring the power structures and resistance strategies around algorithmic practices of deception detection. 

AI lie detectors are no longer imaginary devices from science fiction. The Chinese government installed cameras that assess risk scores on Uyghur detainees, and Google sold its Cloud service including emotion recognition capacities to the Israeli government. As such, surveillance technologies produce discriminatory and violent practices of state control.

Through participatory filmmaking, we question and disrupt these socio-technical systems in bodily and sensual ways. While acknowledging that art alone can never be a grand solution to fix the world, we still believe that it is a playful tool for community organising. We may fail to trick the AI, but our (un)safety video will linger with you as you smile at the camera. 

Director

  • Cyan BAE

    Cyan Bae (b. 1993, KR) is a visual artist and researcher based in the Netherlands. Working primarily with moving image, Cyan explores felt experiences and embodied knowledge intertwined with socio-technical systems. Their current research at Leiden University investigates power dynamics and strategies of resistance around Emotional AI technologies in the field of security. Cyan¡¯s works have been screened and awarded at international film festivals. Cyan is a co-founder of First Cut, an artist collective around independent, radical, and experimental films based in The Hague. 

Credit

  • Producer±è°æÀº Kyung-eun KIM