Korea had the highest suicide rate among OECD countries from 2003 to 2015. This consistency leads us to think that depression and suicide can be explained not only at the individual level but also at the societal level, such as shared values and living environments. Post Returned begins with the premise that investigating the common notion of suicide in Korea will reveal these intricate relationships between the individual and the social, an area where statistics cannot shed light. This film will focus on how the responsibility for so-called mental health constantly shifts between the individual and society, how the remaining people recreate suicides and their reasons into their own narratives, and whether and how these narratives share the patterns of exaggeration and reduction based on common notions. Rather than proclaiming objectivity, Post Returned will approach suicide by way of ambiguity and fiction, as the remaining people do. This quasi-portrait of suicide, formed by multiple perspectives and accounts, will serve as a document of the psychological landscape of Korean society. Moreover, in order to shift from predictable film language, the film will actively incorporate moving images and the arts.​​