Since the nuclear accident in 2011, I have been making films at Fukushima. When I go there, I drive on Route 6 from Tokyo. When I reached Chiba after driving through high-rise buildings, I saw McDonald's and convenience stores. It was a very ordinary view of a national highway. In Ibaraki, Hitachi factories and abandoned coal mines tower, and the industrial complex that had contributed to Japan’s modernization spreads. Leaving the industrial park behind, I saw that the number of farmlands that serve as urban food supplies began to increase, and then the car reached the coastline of Fukushima where the post-tsunami recovery work is still continuing in full swing. Passing the signboard ‘difficult-to-return zone,’ the air seems to change. In the town, the windows of convenience stores and video game parlors are dark. Driving ahead through frozen time, I arrived in an open field covered with mountains of black flexible container bags. As I glanced towards the Pacific Ocean, the abandoned nuclear plant was appearing from the top of the forest. Taking Route 6 north for 8 hours from Tokyo, I can perceive the nuclear disaster - an outcome of accelerating modernization - as something of my own problem, though the earthquake has been forgotten from people's memories. The Tokyo Olympics has been postponed to 2021 due to the coronavirus pandemic and Tokyo is in a state of confusion right now. What is the meaning of richness? What is the dignity of life? I will go on Route 6 journey to find these answers, again. People I met in the nine years since the earthquake, encounters, and partings, memories of the disaster, and changing landscapes. This film reflects the post-pandemic Japan for the Tokyo Olympics through the story of Route 6.