Shaunak SEN
¡°The story of Delhi¡¯s apocalyptic air is told through an unlikely figure – the black kite, and its human entanglements.¡±
My first film explored Delhi through the lens of sleep. By focusing on the ¡®sleep mafia¡¯ of Delhi (these are people who control who sleeps where, for how long and what quality of sleep - for the homeless), I leveraged sleep as a political, philosophical, and aesthetic category through which to consider the city. As a method, I am deeply interested in looking at the everyday banal phenomenon that usually occupies the fringes of our vision - as objects of rigorous study. Through this film, I want to enchant the sky. I want audiences to instinctively look up – to think of the sky and the birds in it as novel wonderfully alien things. At the most nascent level, my interest in the ¡®more-than-human¡¯ began during a fellowship at Cambridge University last year, under a research project called ¡®Urban Ecologies¡¯. This was/is a cutting-edge project studying urban ecology across different cities in India. I began developing a deep interest in the behavioral and evolutionary changes in animals in Delhi, prompted by air pollution. My interest is not in making conventional ¡®nature-based¡¯ programming, nor an ¡®animal/wildlife¡¯ documentary. My focus is not limited to the life of the human protagonists neither the avian ones, but to map broader changes that are happening to the city itself. The city itself - replete with the many human-animal ensembles in it – features in the film as a character.
Shaunak SEN