| 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | 2024 | 2025 | ÇÕ°è |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 3 | 8 | 9 | 10 | 10 | 15 | 20 | 18 | 25 | 21 | 40 | 66 | 65 | 70 | 40 | 30 | 42 | 492 |
| Á¦¸ñ | °¨µ¶¸í | ¿¬µµ | DMZ Docs Àδõ½ºÆ®¸® Âü°¡ ³»¿ë |
¼º°ú |
|---|---|---|---|---|
| My Sister and the Eternal Feminine | RATI tsiteladze | 2025 | ±âȹ°³¹ß Á¦ÀÛÁö¿ø ¼±Á¤ | ½º¿þµ§ ¹æ¼Û»ç SVT¿Í ÆÄÆ®³Ê½Ê ü°á |
| È«µî°¡ÀÇ À¯Æ©ºê ½ºÅ¸µé Redlight to Limelight |
ºñÇ®Áþ ¹Ù¼ö | 2023, 2024 |
±Û·Î¹ú ÇÇÄ¡, ·¯ÇÁÄÆ ÇÇÄ¡ ¼±Á¤ |
2024 Çɶõµå ¹æ¼Û±¹ YLE °è¾à |
| À̴ϳª¿Í Inninawa: An Island Calling |
¾Æ¸£ÆÇ »çºê¶õ | 2022 | ÇÇÄ¡ ¼±Á¤ | ¾ËÀÚÁö¶ó – ¼±ÆÇ¸Å |
| ħ¹¬ÀÇ Áý Silent House |
ÆÄ¸£³ªÁî ÁÖ¶ø½Ã¾È, ¸ðÇϸ¶µå·¹ÀÚ ÁÖ¶ø½Ã¾È | 2021 | ÇÇÄ¡ ¼±Á¤ | ¾ËÀÚÁö¶ó – ÇÁ¶û½º TV ÆÇ¸Å ¹æ¿µ ¿¹Á¤ |
| ¼û ½¬´Â ¸ðµç °Í All that Breathes |
»þ¿ì³« ¼¾ | 2020 | ÇÇÄ¡ ¼±Á¤ | HBO ÆÇ¸Å – HBO MAX ¹æ¿µ |
| Çϳª ÄÚ¸®¾Æ | ÇÁ·¹µ¥¸¯ ¼êºÆ¸£ | 2020 | ÇÁ·ÎÁ§Æ® ÆÝµå | µ§¸¶Å© ¹è±Þ»ç ¹× TV ¹æ¿µ È®Á¤ |
| ¹Ù´Ù¿¡¼ ¸¶Áö¸· ³¯µé Last Days at Sea |
º£´Ï½º ¾ÆÆ¼¿£»ç | 2020 | ÇÇÄ¡ ¼±Á¤ | TPS (´ë¸¸) ÆÇ¸Å |
| ¾È°³ ¼ÓÀÇ ¾ÆÀ̵é Children of the Mist |
Áö¿¥ ÇÏ·¹ | 2019 | ÇÇÄ¡ ¼±Á¤ | ¼¼ÀÏÁî ¿¡ÀÌÀü½Ã Cat&Docs °è¾à ü°á 2023 ¾Æ¸Þ¸®Ä POV ÆÇ¸Å (PBS ¹æ¿µ) |
| ³ìÅÏ | Á¤°üÁ¶ | 2019 | ÈĹÝÀÛ¾÷ Áö¿ø | ¼¼ÀÏÁî ¿¡ÀÌÀü½Ã Cat&Docs °è¾àü°á ÀϺ» NHK, È£ÁÖ SBS, Çѱ¹TBS, Wavve ¿Ã·¹Æ¼ºñ |
| »ç¸·ÀÇ ÁøÁÖ Pearl of the Desert |
Ǫ½ÃÆæµå¶ó ½Ì | 2019 | ÇÇÄ¡ ¼±Á¤ | 2021 ÇÁ¶û½º Arte ä³Î ¹æ¿µ |
| ¸ð¾î | ÀÌÀÏÇÏ | 2019 | ÇÇÄ¡ ¼±Á¤ | ³ÝÇø¯½º ÆÇ¸Å |
| ¿ï¸²ÀÇ Åº»ý | ÀÌÁ¤ÁØ | 2018 | ÆÝµå ¼±Á¤ | 2022 ³×´ú¶õµå °ø¿µ¹æ¼Û KRO-NCRV ÆÇ¸Å ¹æ¿µ |
| Á¦¸ñ | °¨µ¶¸í | Âü°¡ ¿¬µµ | DMZ Docs Àδõ½ºÆ®¸® Âü°¡ ³»¿ë |
¼º°ú |
|---|---|---|---|---|
| ¹æ¹æ°ú Çö󳪸®¾Æ BangBang and Planaria |
¹ÚÈñÁø | 2024, 2025 | ·¯ÇÁÄÆ ÇÇÄ¡ ¼±Á¤, Çѱ¹¿µ»ó´ëÇб³»ó ¼ö»ó, ÈĹÝÀÛ¾÷Á¦ÀÛÁö¿ø ¼±Á¤ | |
| ÇҸű¤Àå | ³²¾Æ¸§ | 2025 | ±âȹ°³¹ß Á¦ÀÛÁö¿ø ¼±Á¤ | |
| ·Î·Î | ¼³¼ö¾È | 2025 | ±âȹ°³¹ß Á¦ÀÛÁö¿ø ¼±Á¤ | |
| ¿ì¸® ´ÜÁö | Á¶Çѳª | 2025 | ±âȹ°³¹ß Á¦ÀÛÁö¿ø ¼±Á¤ | 2025 EIDF ¿µÇÇÄ¡ ´ÙÅ¥¸àÅ͸® °í¾ç»ó(´ë»ó) ¼ö»ó |
| My Sister and the Eternal Feminine | RATI tsiteladze | 2025 | ±âȹ°³¹ß Á¦ÀÛÁö¿ø ¼±Á¤ | |
| Ma, Let¡¯s Fly Together | Yash Zhang | 2025 | ±âȹ°³¹ß Á¦ÀÛÁö¿ø ¼±Á¤ | |
| Life Beside Itself | LEI CHEOK MEI | 2025 | ±âȹ°³¹ß Á¦ÀÛÁö¿ø ¼±Á¤ | |
| ¸¶´çÀÌ µÎ °³ÀÎ Áý | ¼³¼ö¾È | 2025 | ÈĹÝÀÛ¾÷ Á¦ÀÛÁö¿ø ¼±Á¤ | 2025 DMZ±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈÁ¦ Çѱ¹°æÀï ´ë»ó |
| ÆòµîÇÑ ¹ä»ó | Á¶»óÁö | 2025 | ÇöÀåÀÇ POV ¼±Á¤ | 2026 »ç¶÷»ç´Â¼¼»ó¿µÈÁ¦ ½É»çÀ§¿øÆ¯º°»ó ¼ö»ó |
| Game of Replacing Gods | An Chu | 2025 | ÇÇÄ¡ ¼±Á¤, ÃÖ¿ì¼ö»ó ¼ö»ó | |
| Shape of Silence | Varun Trikha | 2025 | ÇÇÄ¡ ¼±Á¤ | |
| Ghost of the Currents | Itt Patiparn Boontarig, Kalil Pitsuwan | 2025 | ÇÇÄ¡ ¼±Á¤, ±×¸°½ºÅ丮Áî»ó ¼ö»ó | Q ½Ã³×¸¶ ÇÁ·ÎÁ§Æ® ¸¶ÄÏ º£¾îº»Áî»ó ¼ö»ó |
| Let's Play Soldiers | Mariam Al-Dhubhani | 2025 | ÇÇÄ¡ ¼±Á¤ | |
| ¸»µéÀÌ µ¹¾Æ¿À´Â ½Ã°£ | Á¤¼öÀº | 2025 | ÇÇÄ¡ ¼±Á¤ | 2025 ÀüÁÖ±¹Á¦¿µÈÁ¦ ÀüÁÖÇÁ·ÎÁ§Æ® Dvcat»ó ¼ö»ó |
| ¿ì¸®¹Û¿¡ ¾ø¾î | ¿ÀÀçÇü | 2025 | ÇÇÄ¡ ¼±Á¤, Çѱ¹¿µ»ó´ëÇб³»ó ¼ö»ó | |
| ÆÄ¶û | Àå¹Î°æ | 2025 | ÇÇÄ¡ ¼±Á¤ | |
| ¼®°í¼Ò¹¦ | ¿øÅ¿õ | 2025 | ÇÇÄ¡ ¼±Á¤ | |
| How to Lie, Femme, and Pass | Cyan Bae | 2025 | Çѱ¹-³×´ú·±µå ±¹Á¦ °øµ¿Á¦ÀÛÁö¿ø | IFFR RTM ÇÇÄ¡ 2027 ¼ö»ó |
| Made In Korea - Out of the Fog | In-soo RADSTAKE | 2025 | Çѱ¹-³×´ú·±µå ±¹Á¦ °øµ¿Á¦ÀÛÁö¿ø | |
| ÀÌ»óÀÇ ¾ÆÀ̵¹ | ¹Ú¿¹¼ | 2025 | ´ÜÆí ÇÇÄ¡ ¼±Á¤ | |
| ÁøÀÌ, Áö´Ï | Àü½ÃÀº | 2025 | ´ÜÆí ÇÇÄ¡ ¼±Á¤ | |
| ½Ã¿Í ¼Ò³â Always |
õ´õ¹Ö | 2024 | ·¯ÇÁÄÆ ÇÇÄ¡ ¼±Á¤ | 2025 CPH:DOX ´ë»ó ¼ö»ó 2025 ¿¤ ±¸³ª ¿µÈÁ¦ 2025 IDFA (¾Ï½ºÅ׸£´ã ±¹Á¦ ´ÙÅ¥¸àÅ͸® ¿µÈÁ¦) Best of Fests ¼ö»ó |
| È«µî°¡ÀÇ À¯Æ©ºê ½ºÅ¸µé Redlight to Limelight |
ºñÇ®Áþ ¹Ù¼ö | 2023, 2024 |
±Û·Î¹ú ÇÇÄ¡, ·¯ÇÁÄÆ ÇÇÄ¡ ¼±Á¤ |
2025 FIPADOC ±×¶ûÇÁ¸® ¼ö»ó |
| ¹ÝÄ¢¿Õ ¸ùŰ Monkey is the King of Foul Play |
Ȳ´ÙÀº | 2024 | ÄÚ¸®¾È POV ¼±Á¤ | 2026 5¿ù °³ºÀ |
| Ŭ¸° Clean |
¹Ú¸íÈÆ | 2024 | ÄÚ¸®¾È POV ¼±Á¤ | |
| ºí·¢ ¸®¹ö Black River |
¾ Ǫ¾û Ÿ¿À, ½º¿Ï µÚºß | 2024 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| Å×Á¨µå¶óÀÇ ¾çÄ¡±â The Last Shepherd |
¾Æ´Ò ºÎ´Ù ¸¶°¡¸£ | 2024 | ÇÇÄ¡ ¼±Á¤ | 2024 µµÄì µ¶½º ¾ËÀÚÁö¶ó °øµ¿Á¦ÀÛ»ó ¼ö»ó |
| °î¿¹»ç´Â ¿ì»êÀ» ã´Â´Ù Umbrellas of the Acrobats |
¹«Äɽà ¼öºê¶ó¸¶´Ï¾Ï | 2024 | ÇÇÄ¡ ¼±Á¤ | |
| °í°³ ¼÷ÀÎ ½ÅºÎ The Silent Bride |
Á¶Àº¼Ö | 2024 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2025 Kdocs Hi-docs pitch ÃÖ¿ì¼ö»ó |
| ´ÜÁö, ¿ì¸®°¡ Àá½Ã ¸Ó¹«´Â °÷ Where We Stay for a While |
¿Õ¹Îö | 2024 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2025 ºÎ»ê±¹Á¦¿µÈÁ¦ ¡®¿ÍÀ̵å¾Þ±Û¡® »ó¿µ, ´ÙÅ¥ °ü°´»ó ¼ö»ó 2025 ¼¿ïµ¶¸³¿µÈÁ¦, ÁýÇàÀ§¿ø Ưº°»ó |
| 1948, »ç¶óÁø º´»çµé 1948 – Forgotten Soldiers |
Çã¿í | 2024 | ÇÇÄ¡ ¼±Á¤ | |
| µ¶½ÅÀÚ Å¬·´ What¡¯s Your Problem with Love? |
Æ®¶û ´Ù¿À Ƽ ¹Î | 2024 | ·¯ÇÁÄÆ ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| ÈÄÁö»êÀÇ µþ Daughter of Fuji |
¹ÌÁîŸ´Ï ¿¡¸® | 2024 | ·¯ÇÁÄÆ ÇÇÄ¡ ¼±Á¤, ICHCAP»ó ¼ö»ó | |
| °ø¼øÀÌ Daughter of the Vampire Deer |
À¯¼Ò¿µ | 2024 | ·¯ÇÁÄÆ ÇÇÄ¡ ¼±Á¤ | |
| ·¹µå´ÙÀ̾ Red Diary |
ÀÓ´ëû | 2024 | ·¯ÇÁÄÆ ÇÇÄ¡ ¼±Á¤ | 2025 DMZ±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈÁ¦ ¿¹¼ú»ó, ±¹Á¦¿µÈºñÆò°¡¿¬¸Í»ó ¼ö»ó |
| ±Ý¿äÀÏ, â°¡¿¡¼ Grand Me |
¾ÆÆ¼¿¡ ÀÚ·¹¶õµð | 2023 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| K-Number | Á¶¼¼¿µ | 2023 | ±Û·Î¹ú ÇÇÄ¡ ¼±Á¤ | |
| ÇູÇÑ °ñ¸ñ±æ·Î And, Towards Happy Alleys |
½º¸®¸ðÀÌ ½Ì | 2022 | ÇÇÄ¡ ¼±Á¤ | |
| ¾ç¾ç | ¾çÁÖ¿¬ | 2022 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| µ¥ºñ Devi |
¼öºñ³ª ½´·¹½ºÅ¸ | 2022 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| ¾¾¾ÑÀÇ ½Ã°£ | ¼³°æ¼÷ | 2022 | ÈĹÝÀÛ¾÷Áö¿ø | 2022 DMZ±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈÁ¦ Çѱ¹°æÀï ´ë»ó |
| µ¹µéÀÌ ¸»ÇÒ¶§±îÁö | ±è°æ¸¸ | 2022 | ÈĹÝÀÛ¾÷Áö¿ø | 2023 ¾ß¸¶°¡Å¸±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈÁ¦°æÀï 2024³â 4¿ù 17ÀÏ °³ºÀ |
| ħ¹¬ÀÇ Áý Silent House |
ÆÄ¸£³ªÁî ÁÖ¶ø½Ã¾È, ¸ðÇϸ¶µå·¹ÀÚ ÁÖ¶ø½Ã¾È | 2021 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2022 ¾Ï½ºÅ׸£´ã±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈÁ¦ – ÃÖ¿ì¼ö ½ÅÀÎ ¼ö»ó |
| ¶¥¿¡ ¾²´Â ½Ã | Á¤´Ù¿î | 2021 | ÇÇÄ¡ ¼±Á¤ EBSÇÁ¶óÀÓ ÇÇÄ¡ÆÝµå ¸ÅĪ |
2024³â 4¿ù °³ºÀ |
| ÇÏÆ®ÅõÇÏÆ® | ¼ÇÑ¼Ö | 2021 | ÀÎÅ¥º£ÀÌÆÃ ÆÝµå | |
| Æç·ÕÆç·Õ | °ÈñÁø | 2021 | ÇÇÄ¡ | EIDF2021 Àδõ½ºÆ®¸® Young Pitch (´ÙÅ¥¸àÅ͸®°í¾ç»ó) |
| ´Ù¼¸ ¹øÂ° ¹æ | ÀüÂù¿µ | 2021 | ·¯ÇÁÄÆ ¼ö»ó | 2024³â 4¿ù °³ºÀ |
| ¿¡µð¿Í ¾Ù¸®½º | ±èÀ϶õ | 2021 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2025 ÀüÁÖ±¹Á¦¿µÈÁ¦ ´ÙÅ¥¸àÅ͸®»ó ¼ö»ó |
| ±æ À§ÀÇ ³óºÎµé Farming the Revolution |
´Ï½¬Å¸ ÀÚÀÎ, ¾ÆÄ«½Ã ¹Ù¿ì¸¶Å¸¸® | 2021 | ÇÇÄ¡ ¼±Á¤ | 2024 ÇÖµ¶½º ¿µÈÁ¦ ´ë»ó ¼ö»ó |
| ¼ö¶ó | ȲÀ± | 2020 | Á¦ÀÛÁö¿ø | 2023³â 6¿ù °³ºÀ |
| ¼öÄ«¹ÙƼ | ³ª¹Ù·ç, ¼±È£ºó | 2020 | DMZ¿ì¼öÇÁ·ÎÁ§Æ® | Çѱ¹¿µÈÆò·Ð°¡Çùȸ»ó(µ¶¸³¿µÈÁö¿ø»ó) 2024³â 7¿ù °³ºÀ |
| °í¾çÀ̵éÀÇ ¾ÆÆÄÆ® | Á¤ÀçÀº | 2020 | ÈĹÝÀÛ¾÷ Áö¿ø | 2020 DMZ±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈÁ¦ Çѱ¹°æÀï 2022³â 3¿ù °³ºÀ |
| ¼û½¬´Â ¸ðµç °Í All that Breathes |
»þ¿ì³« ¼¾ | 2020 | ÇÇÄ¡ ¼±Á¤ | 2022 ¼±´í½º¿µÈÁ¦ ¿ùµå ´ÙÅ¥¸àÅ͸® ½É»çÀ§¿ø ´ë»ó 2022 Ä ±¹Á¦¿µÈÁ¦ ´ÙÅ¥¸àÅ͸® ÃÖ°í»ó |
| Ä«¸ÞÀÌ Kamay |
»þ·ÎÅ© ºñÄ«·±, Àϸ®¾ß½º À¯¸®½¬ | 2020 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| ³× °³ÀÇ ¿©Á¤ Four Journeys |
·çÀ̽º ÇÖÇÖÇÖ | 2020 | ÇÇÄ¡ ¼±Á¤ | |
| ¹Ù´Ù¿¡¼ ¸¶Áö¸· ³¯µé Last Days at Sea |
º£´Ï½º ¾ÆÆ¼¿£»ç | 2020 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| ÇÑ⳪ÀÌ ¼±³à´Ô | ¿øÈ£¿¬ | 2020 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2021³â 10¿ù °³ºÀ 2022 Æ®·»Å俵ÈÁ¦ Ưº°»ó |
| GNH: ±¹¹ÎÇູÁö¼ö Agent of Happiness |
¾Æ·é ¹ÙŸ¶óÀÌ | 2020 | Á¦ÀÛÁö¿ø | |
| Çõ¸íÀÇ ¿¬´ë±â Streets Loud with Echoes |
Ä«Å׸®³ª ¼öº¸·Î¹Ù | 2020 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| ¾Ö±¹¼Ò³à | ³²¾Æ¸§ | 2020 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2023 DMZ Docs – Çѱ¹ °æÀï ´ë»ó |
| ¾È°³ ¼ÓÀÇ ¾ÆÀ̵é Children of the Mist |
Áö¿¥ ÇÏ·¹ | 2019 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2021 ¾Ï½ºÅ׸£´ã±¹Á¦´ÙÅ¥¸àÅ͸®¿µÈÁ¦ ±¹Á¦°æÀï °¨µ¶»ó |
| ¼º´ö | ¿À¼¼¿¬ | 2019 | Á¦ÀÛÁö¿ø | 2022³â 9¿ù °³ºÀ |
| ³ìÅÏ | Á¤°üÁ¶ | 2019 | ÈĹÝÀÛ¾÷ Áö¿ø | 2020 ¸ð½ºÅ©¹Ù±¹Á¦¿µÈÁ¦ ´ÙÅ¥¸àÅ͸® ÃÖ¿ì¼ö»ó 2022³â 8¿ù °³ºÀ |
| ±×¸²ÀÚ²É | À̽ÂÁØ | 2019 | ÈĹÝÀÛ¾÷ Áö¿ø | 2021³â 10¿ù °³ºÀ |
| ºí·ç ¾ÆÀÏ·£µå Blue Island |
ÂùÂê¿î | 2019 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2022 ÇÖµ¶½º ´ÙÅ¥¸àÅ͸®¿µÈÁ¦ ÃÖ¿ì¼ö±¹Á¦´ÙÅ¥¸àÅ͸®»ó |
| ³Ê¿¡°Ô °¡´Â ±æ | º¯±Ô¸® | 2019 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2021³â 11¿ù °³ºÀ |
| ¸ð¾î | ÀÌÀÏÇÏ | 2019 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2022³â 6¿ù °³ºÀ 2022 ´ëÁ¾»ó ´ÙÅ¥¸àÅ͸® ¿µÈ»ó ¼ö»ó |
| ¶Ç ¹Ù¶÷ÀÌ ºÐ´Ù | ±èÅÂÀÏ, ÁÖ·Î¹Ì | 2019 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| ¹Ì½ÌŸ´Â ¿©ÀÚµé | ÀÌÇõ·¡, ±èÁ¤¿µ | 2019 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | 2022³â 10¿ù °³ºÀ (°ü°´¼ö 11,506¸í) |
| »ç¸·ÀÇ ÁøÁÖ Pearl of the Desert |
Ǫ½ÃÆæµå¶ó ½Ì | 2019 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| ½º¸ð±× Ÿ¿î Smog Town |
ÇÑ¸Û | 2019 | ÇÇÄ¡ ¼±Á¤, ¼ö»ó | |
| ¼¼¿ù : ¶óÀÌÇÁ °íÁî ¿Â |
Àå¹Î°æ | 2019 | DMZ ÇÁ·ÎÁ§Æ®ÆÝµå | 2024³â °³ºÀ |
| ¾ÆÀÌ, ÆÄÇÇ | ºñº¤ Â÷¿ì´Ù¸® Vivek Chaudhary |
2019 | DMZÃÖ¿ì¼öÇÁ·ÎÁ§Æ® | 2025 HOT Docs ÃÖ¿ì¼öÀåÆí´ÙÅ¥¸àÅ͸®»ó ¼ö»ó |