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DMZ Docs Industry Projects



Toward Happy Alleys

Sreemoyee SINGH

  • India
  • 75min
  • DCP
  • color

Synopsis

Inspired by the cinema of Iran, Indian female filmmaker Sreemoyee Singh undertakes a personal journey where she explores the lives of artists and filmmakers in Tehran. The film reveals how artists negotiate the oppressive Islamic government, its stringent censorship body, and the limitations it imposes on fundamental rights of expression. As filmmakers Jafar Panahi and Mohammad Shirvani provide an entry into their world of isolation, they also open up a window to real-life-common people, especially women whose daily battles with repression have been the source of their stories. Having learned Persian, the filmmaker gets natural access into their inner world. The artists manage to find a way to express their despair through cinema, but what about a society that is denied in communicating its pain? How is it to live in a society where individuals are forbidden to share their sorrows and desires? Here anything pleasurable is forbidden. Women cannot sing in public, or openly talk about their choices or desires. Does one stop desiring in such a society? Where does expression emerge from in a such claustrophobic atmosphere? 

Review

Toward Happy Alleys is a self-reflexive, essayist documentary where the passion for Persian culture slowly turns into a political observance. The first time I experienced Iranian cinema was in 2011, as part of my master¡¯s course at university. The cinema and the chance reading of the work of an Iranian feminist poet Forough Farrokhzad deeply affected me. I embarked on a pilgrimage to Iran to understand where such unabashed expression emanated from. In the grip of the right-wing movement in India, I wished to learn from Iranian poets and filmmakers who found miraculous ways to express themselves despite living in such extremes. I saved my scholarship stipend, resolved to learn Persian, and finally reached Tehran for the first time in 2016. On arriving in Iran, I mainly met ordinary women while traveling in buses, living in dormitories, or in Persian classes. In the beginning, they were wary of interacting with a stranger, but trusted me as I learnt their language. 

Director

  • Sreemoyee SINGH

     

Credit

  • Producerº¸¸®½º µ¥½ºÆ÷µµÇÁ Boris DESPODOV
    ½º¸®¸ðÀÌ ½Ì Sreemoyee SINGH